Monday, 31 March 2014

Evaluation- codes and conventions of action/adventure films - stock characters

The genre of my set of products falls into the category of “action/adventure”. This meant that the first step was to examine some of the typical features of this genre, and decide whether to adopt them in my work or challenge them and push the boundaries of the genre. Typically, action films are full of fast paced, hard hitting music, in order to give the audience a sense of urgency and danger. This coincides with the rapid cuts of the on-screen footage, which create a feeling of time moving quickly, and supports the overall feel of urgency being presented to the audience.

Most action adventure films follow a pretty basic template. In terms of characters, there is a group of typical roles we will always expect to see, known as 'stock characters'.
the protagonist, often seen as a physically fit male, tends to be the 'hero' of the film, coming out victorious just before the credits roll. The protagonist is vital in order to move the narrative forwards, with his dialogue and actions being the audience's window into understanding what is going on. Think of the Final Destination movies. without the main character (Alex) explaining to his friends exactly what he thinks is going on in relation to his 'premonitions', the audience would be left clueless as to why he is suddenly demanding to get off of an aeroplane.but thankfully, he spends the entire film explaining this, and so we are all able to remain in the loop.

below is part of a ranking table found on Wikipedia, which showed the top 50 movie heroes and villains. As you can see, in the top 20 heroes, only 3 of the roles were female. this supports the idea that the protagonists (heroes) of films are typically male.
RankHeroActorFilmVillainActor
1.Atticus FinchGregory PeckTo Kill a MockingbirdDr. Hannibal LecterAnthony HopkinsTe Silence of the Lambs
2.Indiana JonesHarrison FordRaiders of the Lost ArkNorman BatesAnthony PerkinsPsycho
3.James BondSean ConneryDr. NoDarth VaderDavid Prowse(voiced byJames Earl Jones)The Empire Strikes Back
4.Rick BlaineHumphrey BogartCasablancaThe Wicked Witch of the WestMargaret HamiltonThe Wizard of Oz
5.Will KaneGary CooperHigh NoonNurse RatchedLouise FletcherOne Flew Over the Cuckoo's Nest
6.Clarice StarlingJodie FosterThe Silence of the LambsMr. PotterLionel BarrymoreIt's a Wonderful Life
7.Rocky BalboaSylvester StalloneRockyAlex ForrestGlenn CloseFatal Attraction
8.Ellen RipleySigourney WeaverAliensPhyllis DietrichsonBarbara StanwyckDouble Indemnity
9.George BaileyJames StewartIt's a Wonderful LifeRegan MacNeilLinda Blair(voiced byMercedes McCambridge)The Exorcist
10.T. E. LawrencePeter O'TooleLawrence of ArabiaThe QueenVoice of Lucille La VerneSnow White and the Seven Dwarfs
11.Jefferson SmithJames StewartMr. Smith Goes to WashingtonMichael CorleoneAl PacinoThe Godfather Part II
12.Tom JoadHenry FondaThe Grapes of WrathAlex De LargeMalcolm McDowellA Clockwork Orange
13.Oskar SchindlerLiam NeesonSchindler's ListHAL 9000Voice ofDouglas Rain2001: A Space Odyssey
14.Han SoloHarrison FordStar WarsThe AlienBolaji BadejoAlien
15.Norma Rae WebsterSally FieldNorma RaeAmon GoethRalph FiennesSchindler's List
16.ShaneAlan LaddShaneNoah CrossJohn HustonChinatown
17.Harry CallahanClint EastwoodDirty HarryAnnie WilkesKathy BatesMisery
18.Robin HoodErrol FlynnThe Adventures of Robin HoodThe Shark"Bruce"[2]Jaws
19.Virgil TibbsSidney PoitierIn the Heat of the NightCaptain BlighCharles LaughtonMutiny on the Bounty
20.Butch Cassidy
and theSundance Kid
Paul Newman
and Robert Redford
Butch Cassidy and the Sundance KidManVoice of Paul StarrsBambi








in terms of my coursework product, it was felt that we should stick to this stereotype within our characters. By having a male protagonist, it would make him easily recognisable to the audience, and therefore they would be able to identify and pick up the narrative links and hints presented by him throughout the film.

Another stock character that we can recognise in almost all action adventure films is the female sidekick, who's character is normally developed into some form of 'damsel in distress', providing the necessary plot line for the hero to pursue. we felt that this particular stock character was another necessary element to our short film, as she provided the basis for the action. Our hero's actions all point towards him trying to save her from the impending doom he had seen in a premonition.

One stock character that isn't presented in our short film is a villain. In our narrative, the antagonist takes the form of a car, threatening to run down the female character. It was decided that in such a short space of time, it would be much more effective two have 2 characters, and spend time developing them, as apposed to a larger number of very shallow, poorly developed characters. 


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