Most action adventure films follow a pretty basic template. In terms of characters, there is a group of typical roles we will always expect to see, known as 'stock characters'.
the protagonist, often seen as a physically fit male, tends to be the 'hero' of the film, coming out victorious just before the credits roll. The protagonist is vital in order to move the narrative forwards, with his dialogue and actions being the audience's window into understanding what is going on. Think of the Final Destination movies. without the main character (Alex) explaining to his friends exactly what he thinks is going on in relation to his 'premonitions', the audience would be left clueless as to why he is suddenly demanding to get off of an aeroplane.but thankfully, he spends the entire film explaining this, and so we are all able to remain in the loop.
below is part of a ranking table found on Wikipedia, which showed the top 50 movie heroes and villains. As you can see, in the top 20 heroes, only 3 of the roles were female. this supports the idea that the protagonists (heroes) of films are typically male.
in terms of my coursework product, it was felt that we should stick to this stereotype within our characters. By having a male protagonist, it would make him easily recognisable to the audience, and therefore they would be able to identify and pick up the narrative links and hints presented by him throughout the film.
Another stock character that we can recognise in almost all action adventure films is the female sidekick, who's character is normally developed into some form of 'damsel in distress', providing the necessary plot line for the hero to pursue. we felt that this particular stock character was another necessary element to our short film, as she provided the basis for the action. Our hero's actions all point towards him trying to save her from the impending doom he had seen in a premonition.
One stock character that isn't presented in our short film is a villain. In our narrative, the antagonist takes the form of a car, threatening to run down the female character. It was decided that in such a short space of time, it would be much more effective two have 2 characters, and spend time developing them, as apposed to a larger number of very shallow, poorly developed characters.
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